The Real Christmas Book: C Instruments by Hal Leonard Corporation

The Real Christmas Book: C Instruments by Hal Leonard Corporation

By Hal Leonard Corporation

Similar to your commonplace genuine ebook, yet all the tunes are christmas orientated. such a lot of them are reharmonized so you're no longer caught taking part in sparse triadic concord. total lovely valuable for the jazz musician who's enjoying a few vacation gigs, or simply wishes anything to entertain the relations on christmas. I suggest, grandma doesn't are looking to listen your 20 minute solo on 'speak no evil', anyhow (unless she does, that is outstanding i guess). The booklet contains one hundred fifty tunes.

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Extra resources for The Real Christmas Book: C Instruments

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Breathing must always accompany and reinforce the preparatory beat. Pick-ups Given With One Preparatory Beat (Half of the basic pulse or shorter) Meter: Beat Unit: 234 444 C q h h. r e qqqq eqq q qq q. q x. 3 4 (in 1) 5 Pick-up: Beethoven, Symphony no. 2, fourth movement, bar 1 e ≈q q q q xqqqq qq qq q ≈q q q qqq q‰q e q 3 Allegro molto œ. # œ & # C J f Ÿ ‰ œJ œ . œœ f S C ST Schumann, Symphony no. 3, fifth movement, bar 1 Lebhaft b & bb C œ ˙ ˙ f dolce C ST Smetana, Overture to The Bartered Bride, bar 1 > œ ˙ ‰ J Vivacissimo &b C Œ ST ƒ C The Beat Schumann, Symphony no.

Andante sostenuto ## & # # 43 œ p C œ C œ C ST Downward and upward motions of constant speed throughout, reflecting the inner . Brahms, Symphony no. 1, second movement, bar 1 46 the score, the orchestra, and the conductor 3 In a 4 bar conducted in three, the conductor may wish to show a + or a + . # & # 43 œ J. Strauss, On the Beautiful Blue Danube, no. 1, bars 2–3 Œ œ j œ œ C C Œ j œ œ C C This subdivided motion happens at the exact moment that the third quarter note is played and should reflect its articulation, be it tenuto or staccato.

85 >œ œ. œ. ( q. ) ( q ) ST Tchaikovsky, Symphony no. 6, second movement, bar 1 C C >œ œ œ. œ. >œ œ. Allegro con grazia ST p sub. œ œ œ. œ. œ œ œ œ œ œ œ C œ ? # # 45 œ œ œ œ œ œ 3 F ( h ) ( h. ) œ œ C C C In these two examples, the preparatory beat matches the duration of the first rhythmic unit to be conducted. Moore, The Ballad of Baby Doe, act 1, Scene 6, bar 1 Allegro brilliante b & b b b 78 ? b b b 78 b ( ) ST Bernstein, Divertimento for Orchestra, second movement, Waltz, bars 1–2 j œ œœœ ..

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