Tape Op, Issue 101 (May/June 2014)
Tape Op factor No. one zero one May/June 2014
Read or Download Tape Op, Issue 101 (May/June 2014) PDF
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Extra resources for Tape Op, Issue 101 (May/June 2014)
Example text
For instance, I got a call from one of the Chicago only just getting started. I’ve been on board for about 15 months now. F O U N D A T I O N public radio stations saying they want to digitize all of I’m still in the set up phase, trying to BY LARRY CRANE Studsthat Terkel’s interviews. We’re in p ro gr es s It’s not. It’s independent. It’s a 501c3, which is a charity. They did it for quite a few reasons, one of which was pretty clever: they themselves could apply for grants from us, the Smithsonian, or any other institutional branch.
Do you have song concepts in mind when you pick samples like that? to the hardware, and now I’m back in the computer. part to loop. To sit there and listen to a four-minute When I first made the transition back to computers, I song, pick out one bar or two bars, and realize that started with Pro Tools. I’ve used Pro Tools for audio those two bars can be the basis of a whole new song. since the ‘90s, and it was cool. But, whereas Pro Tools There is genius in that. Or, in the case of what I do, was an audio editing program that they adapted for sometimes I’ll take a four-minute song and find 20 or MIDI, Logic was production software that 30 different parts in that song and create a whole new incorporated audio into it.
I recently went up to his Rebel Base studio within Stadiumred in Harlem to discuss hip hop beats, videogame soundtracks, live DJ’ing, and his New Jersey-bred connection to dance music. How did you get started? I’ll give it to you like this: I DJ’d my own first birthday party. My mother has pictures of me running around with records in my hand. Music has always been there. Between my mother being a singer and my father being a jazz organist, I guess the earliest exposure was watching him play. I always thought if they caught me playing that I’d get in trouble, because it was my father’s organ or piano.