Shakespeare and the Second World War: Memory, Culture, by Irena Makaryk, Marissa McHugh
By Irena Makaryk, Marissa McHugh
Shakespeare’s works occupy a prismatic and intricate place in global tradition: they straddle either the excessive and the low, the nationwide and the international, literature and theatre. the second one international conflict provides a desirable case research of this phenomenon: so much, if no longer all, of its fighters have laid declare to Shakespeare and feature referred to as upon his paintings to exhibit their society’s self-image.
In wartime, such claims usually dropped at the fore a drawback of cultural identification and of competing possession of this ‘universal’ writer. regardless of this, the position of Shakespeare throughout the moment international battle has now not but been tested or documented in any intensity. Shakespeare and the second one global War presents the 1st sustained foreign, collaborative incursion into this terrain. The essays display how the wide range of the way during which Shakespeare has been recycled, reviewed, and reinterpreted from 1939–1945 are either illuminated by means of and proceed to light up the warfare today.
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Additional info for Shakespeare and the Second World War: Memory, Culture, Identity
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Munich: Oldenbourg, 1979: 2: 90–173. Goebbels, Joseph. ‘Rede des Reichspropagandaministers Dr. ’ Das deutsche Drama 5 (1933): 28–40. Graff, Sigmund. M. S. Munich: Wels, 1963. Grange, William. ’ Theatre in the Third Reich, the Prewar Years: Essays on Theatre in Nazi Germany. Ed. Glen W. Gadberry. Westport, CT: Greenwood, 1995. 75–89. Hausmann, Frank Rutger. Anglistik und Amerikanistik im Dritten Reich. Frankfurt: Klostermann, 2003. Heerwagen, Heinrich. ’ Politische Erziehung: Monatsschrift des NS-Lehrerbundes (1936): 241–7.
Html. Baldo, Jonathan. 2 (Summer 1996): 132–59. Blau, Herbert. The Eye of Prey. Bloomington: Indiana University Press, 1987. Calvo, Clara. ’ Shakespeare Survey 63 (2010): 198–211. – Calvo, Clara, and Ton Hoenselaars, eds. Shakespeare and the Cultures of Commemoration. Special theme issue of Critical Survey 22:2 (2010). Clarke, Alan. ’ Theatre and War 1933–1945: Performance in Extremis. Ed. Michael Balfour. New York and Oxford: Berghahn Books, 2001. 86–116. Davies, Andrew. ’ Theatre and War 1933–1945: Performance in Extremis.
Since then, Rodney Symington and John London have begun to address this lacuna. 11 This list includes Jonathan Baldo, Alan Clarke, Gerd Gemuenden, Werner Habicht, John London, Zoltán Márkus, Irena Makaryk, and Rodney Symington. While little has been written about Shakespeare and the Second World War, there has been a resurgence of interest in studying theatre, war, violence, and conflict, doubtless spurred on by the war in the Middle East and in Afghanistan. The European Shakespeare Research Association (ESRA) dedicated their 2009 conference (held in Pisa) to the theme of Shakespeare and Conflict: A European Perspective.