Partituras de musica andina para guitarra - Vol. 1 (Scores by Raul Garcia Zarate & Rolando Carrasco Segovia
By Raul Garcia Zarate & Rolando Carrasco Segovia
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Sample text
In chamber-music forms, he has written a Viola Sonata (1953), two string quartets (1957 and 1959), a Concertino for Five Instruments (1959), a Violin Sonata (1960), and a Fantasy for ’cello and piano (1960). Among younger Americans, the Texan Ramiro CORTES (b. 1933), of Mexican parentage, studied with Henry Cowell and others. His idiom is neoclassical, marked by quartal and quintal harmonies and sprightly counterpoint in a vivacious rhythmic manner. His Elegy for flute and piano (1952) is a poetic piece of lyric contemplation.
It is logical therefore that attempts should be made to compose music, and specifically chamber music, with the aid of electronic computers. The first such composition was the Illiac Suite for string quartet, produced in 1957 by Leonard M. Isaacson and Lejaren A. , the “Illiac” of the title being the digital computer of the University of Illinois. The so-called Monte Carlo method of multiple probabilities controls the selection of notes, rests, durations, and dynamic intensities. Since dissonances have greater frequency of incidence in random combinations, computer music, when not tampered with by the programmer, usually turns out to be modernistic-sounding.
By contrast, his String Quartet (1953) plunges into a sui generis dodecaphony. The serial themes are not stated explicitly at the outset, but are built up cumulatively, by sections, with a free repetition of thematic notes. The two movements of the Quartet are greatly contrasted. The first movement, Allegro risoluto, is built on angular intervallic patterns; tonality is neither emphasized nor shunned. The second movement, Lento, is a highly concentrated rhythmic improvisation; there are solo passages in the character of cadenzas; the counterpoint is saturated with dissonance.