Man on the Run: Paul McCartney in the 1970s by Tom Doyle
By Tom Doyle
The main recognized dwelling rock musician on this planet, Paul McCartney is now considered as a marginally snug determine, an (inter)national treasure. again within the Nineteen Seventies, in spite of the fact that, McCartney reduce a truly varied determine. He was once, actually, a guy at the run. Desperately attempting to get away the shadow of the Beatles, he grew to become an outlaw hippy millionaire, hiding out on his Scottish farmhouse in Kintyre sooner than vacationing the area with makeshift bands and barefoot youngsters. It used to be a time of diverse drug busts and marvelous, banned and infrequently baffling files. For McCartney, it was once an edgy, freeing and occasionally scary interval of his lifestyles that has mostly been forgotten. guy at the Run paints an illuminating photo: from McCartney's worried breakdown following the Beatles' cut up via his obvious victimisation by way of the experts to the impolite awakening of his imprisonment for marijuana ownership in Japan in 1980 and the stunning warning call of John Lennon's homicide. finally, it poses the query: should you have been one area of the Beatles, might you actually outrun your prior?
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Additional resources for Man on the Run: Paul McCartney in the 1970s
Example text
Laurent Tailhade doit la vie sauve aux gendarmes lorsqu’une émeute veut lui faire un sort dans la petite ville bretonne où il passe l’été 1903 ; il a passablement injurié la population locale dans un article paru dans un journal parisien… qui vient d’être repris par la presse locale. Dès lors, sa détestation des Bretons devient obsessionnelle, et il va se venger avec ses armes. Aujourd’hui, on sait qu’il est l’auteur des Filles de Camaret, chanson paillarde qui, peu après cet épisode, fait beaucoup pour la renommée nationale du petit port langoustier du Finistère.
Juliette Gréco, une vie en liberté, Perrin, 2011. Les chansons qui ont tout changé, Fayard-France Info, 2011. Cheikh Raymond, une histoire algérienne, First, 2011. Louis de Funès de A à Z, Tana, 2012. Jean Yanne, à rebrousse-poil, First, 2012. Paris en 50 chansons, Tana, 2012. New York en 50 chansons, Tana, 2012. Tout est permis, mais tout n’est pas utile – entretiens avec Daniel Darc, Fayard, 2013. La Fleur au fusil : 14-18 en chansons, Acropole-Radio France, 2014. Tout Gainsbourg, Jungle Doc, 2016.
Selon les maisons de disques et les secteurs commerciaux, la conversion à l’album « moderne » prendra plusieurs années. Par exemple, les deux premiers 33 tours de Georges Brassens sont principalement constitués de chansons déjà parues en 78 tours ; c’est seulement en 1954 qu’il enregistre tout un album de chansons inédites. Ses albums sont dès lors écrits et publiés selon le rythme de ses « rentrées » parisiennes, comme Jacques Brel, Yves Montand ou Juliette Gréco à la même époque. Puisqu’on enregistre les chansons par paquets de dix ou douze, on commence à réfléchir à leur cohérence, à leur variété, à leur hiérarchie.



