Jazz Guitar 2- Intermediate by Jodt Fisher
By Jodt Fisher
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When I returned for a full year of research in 1999, the situation had changed significantly. Due to an economic and political crisis of unforeseen proportions, Jakarta collapsed upon itself in May of 1998. Civil war in the city ensued. Many Chinese were tortured and expelled; symptoms of the chaos included rape and rioting. People either fled the city or stocked up on supplies and hunkered down. Due to the extreme situation in Jakarta, the start of my research period was postponed by the Jakarta Fulbright office and began in January of 1999 rather than at the beginning of the 1998–99 academic year.
While at IIQ I met reciters and scholars who visited from elsewhere (for example, Malaysia and Iran). I accompanied my two main teachers, one male (Drs. Haji Moersjied Qori Indra) and one female (Dra. Haja Maria Ulfah), to many of their engagements. These teachers are in high demand as professional reciters in contexts that vary from official government events to the nightly evening-long prayers held during the month of Ramadan. Furthermore, Pak Moersjied and Maria Ulfah are called upon regularly to judge the numerous competitions in qur’anic recitation, musabaqah tilawatil Qur’an, that are held in every corner of Indonesian society, from neighborhood mosque to government ministry or national television studio.
Lagu; A. ghina) and music with instruments (I. musik; A. musiqa) is operative in Indonesia, and that in certain contexts—for example, the hafla al-Qur’an at the Jakarta Islamic Center, which I describe in chapter 3—instruments, even the rebana frame drum, are thought to be inappropriate. But in the vast majority of the situations I witnessed, the presence of music (that is, song with accompaniment by both percussion and melody instruments) is generally accepted and enthusiastically appreciated among people in the business of religion.