Interaction in Poetic Imagery: With Special Reference to by Michael Silk
By Michael Silk
This can be an strange and unique contribution to literary concept. Michael Silk is a classicist, yet his booklet is worried not just with the literature of antiquity, but additionally with the speculation of literature as such: it investigates a facet of poetic imagery within the sensible context of old poetry. through the research, many illustrative passages from English verse are mentioned, however the corpus of poetry selected for specific consciousness is early Greek lyric and drama (up to and together with Aeschylus and Pindar) and the different hundred appropriate passages from this corpus are tested systematically. Dr Silk formulates a brand new severe idea, 'interaction', to signify convinced beneficial properties of metaphor and different imagery and explores intimately their nature and importance. along with interplay itself, many subsidiary 'matters coming up' are given colossal remedy: there are discussions of similar concerns within the fields of stylistics and literary idea, new ideas on numerous features of historical literature (notions of Greco-Roman theorists in addition to practices of Greek poets), and especially, very important contributions to the speculation and perform of 'literary lexicography' in a lifeless language.
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Extra info for Interaction in Poetic Imagery: With Special Reference to Early Greek Poetry
Example text
And it will be useful to give an equal emphasis here to the fact that, unlike simile and comparison, metaphor more 22 INTERACTION (§12) often than not has the barrier intact - and good metaphor as much as any: Men must endure Their going hence, even as their coming hither: Ripeness is all. 77) I am not concerned with the barriers, but only with ways of breaking them down. Any such breakdown I shall call * interaction' ; 5 and * such', as is already apparent, conceals a good deal of diversity. I shall now suggest how much more diversity can be subsumed under the same heading.
But 'flowed' in Eliot's A crowd flowed over London Bridge, so many is live metaphor. Conversely, modern electric currents 'flow' as a matter of normal propriety. If they ever 'stream', they do this metaphorically, and the perceptible difference is considerable, even in such a trivial instance. Implication: given two partial synonyms Xa... , the knowledge that Xa... is in fact Xab... does not provide any ground for thinking that Ya... is in fact Yab.... 138). It may be normal, although I greatly doubt it, but the evidence of 6£us is worth nothing, for or against.
For instance, one could plausibly characterize in this way the image KAOC^OVTES "Apr) Tpoirov aiyumcov with reference to the interaction: KA&3OVTES is 'the normal language behind* aiyumcov. Headlam's solution1 had a certain merit; metaphors may be 'heightened synonyms' of normal phraseology. But 'synonym' is limited and hardly covers the relation between jsuyvOvai and juyov, for instance, although the formula does prevent any possible confusion with interaction based on neutral terms, which Headlam himself called 'development from the equivocal meaning of a word'.