Horace's Epodes : contexts, intertexts, and reception by Philippa Bather, Claire Stocks
By Philippa Bather, Claire Stocks
Protecting quite a number themes together with the iambic culture and points of gender, this number of essays at the Epodes overturns the work's ill-famed acceptance and reasserts its position as a valued member of Horace's literary corpus.
summary: protecting various themes together with the iambic culture and points of gender, this number of essays at the Epodes overturns the work's ill-famed attractiveness and reasserts its position as a valued member of Horace's literary corpus
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Additional info for Horace's Epodes : contexts, intertexts, and reception
Sample text
5 and Sat. 8, see also Ingallina (1974). 99 Watson (1995) 101. Note, however, that Watson (2007) 101 in reference to the iambicist’s impotence observes that weakness is ‘a cardinal motif of the collection’. See also Oliensis’ (1998) 74 n. 26 response to Watson (1995): ‘Aiming to rescue H. ’ 100 101 Barchiesi (2002) 61. Heyworth (1993) 86. OUP CORRECTED PROOF – FINAL, 5/2/2016, SPi 20 Introduction reflect a continuation of the Epodes’ departure from the iambic tradition; while Horace’s positive conception of iambic practice is found to be reflected in his theory of poetic unity within the Ars Poetica.
Sappho), and a suggestion that her poetry was more Archilochean than Alcaeus’, since sed in v. 29 differentiates between Sappho and Alcaeus and suggests a greater difference in content between the latter and Archilochus. Cf. also on Epist. 28–31 Johnson (2012) 57 with n. 40. 30 Cf. Mankin (1995) 187–8. 31 There may also be an echo of another Alcaic poem at Epod. 9, nec sidus atra nocte amicum appareat, which is close to the description in fr. , where the OUP CORRECTED PROOF – FINAL, 10/2/2016, SPi 38 A.
2 and Ecl. 1 and 10; Nisbet (1984) 162–8 examines continuity between Hor. Epod. 16 and Virg. Ecl. 4. For non-Virgilian connections, see Cairns (1975) who examines the pastoral colouring of Hor. Epod. 2 and Tib. 1. 103 OUP CORRECTED PROOF – FINAL, 5/2/2016, SPi Introduction 21 according to Quintilian (Inst. 107 The intertextual approaches that have been adopted implicitly seek to redeem the collection. From such a perspective, Horace’s iambic starts to look slightly schizophrenic: gutter literature on the one hand (Epodes 8 and 12), yet possessing touches of Virgilian gravitas.



