Feel Like Going Home: Portraits in Blues and Rock 'n' Roll by Peter Guralnick
By Peter Guralnick
This brilliant party of blues and early rock 'n' roll contains a few of the first and such a lot illuminating profiles of such blues masters as Muddy Waters, pass James, and Howlin' Wolf; tours into the blues-based Memphis rock 'n' roll of Jerry Lee Lewis, Charlie wealthy, and the solar list label; and a super depiction of the bustling Chicago blues scene and the mythical Chess checklist label in its ultimate days. With exact perception and exceptional entry, Peter Guralnick brings to existence the folk, the songs, and the functionality that eternally replaced not just the yankee track scene yet the USA itself.
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Additional resources for Feel Like Going Home: Portraits in Blues and Rock 'n' Roll
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The difference in intensity between the two levels is on the order of magnitude of a trillion to one, a range that is so large that a logarithmic scale has been devised to reduce it to a difference of 120 on the decibel (dB) scale. On such a scale, each doubling of intensity is measured as 3 dB. Our sensitivity to this range of possible sound intensities is constantly changing, somewhat similarly to how the eye adjusts itself by changing the size of the iris to accommodate variable light levels.
Therefore, such sounds are more likely to be treated as annoyances and not as relevant information. Another quote from the same source concerns the sound of foghorns that is common along the coast: The foghorns made dismal, gloomy sounds. They all had different tones and sounded at different intervals. We heard them as we went to sleep and again first thing in the morning. But despite the fact that they were mournful, we seem to remember them as somehow comforting. (World Soundscape Project, 1978a, p.
The lo-fi" environment, in contrast, seems to encourage feelings of being cut off or separated from the environment. The person's attention is directed inward, and interaction with others is discouraged by the effort to "break through" that is required. Feelings of alienation and isolation can be the result. The exchange of acoustic information in a soundscape can also be thought of in terms of "feedback" concepts to describe the types of communicational relationships produced by "hi-fi" and "lo-fi" environments.