Lateness and Brahms: Music and Culture in the Twilight of by Margaret Notley
By Margaret Notley
Lateness and Brahms takes up the interesting, but understudied challenge of ways Brahms matches into the tradition of turn-of-the-century Vienna. Brahms's conspicuous and complicated absence in past scholarly debts of the time and position increases vital questions, and as Margaret Notley demonstrates, the tendency to view him in neutralized, ahistorical phrases has made his tune look some distance much less attention-grabbing than it really is. In pursuit of an historic Brahms, Notley specializes in the later chamber tune, drawing on quite a few records and views, yet with specific emphasis at the relevance of Western Marxist severe traditions.
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Extra info for Lateness and Brahms: Music and Culture in the Twilight of Viennese Liberalism
Example text
46 Hanslick wrote a uniformly satirical review, describing as “a psychological mystery, how this most gentle and peaceable of persons . . 48 Most likely they did not dismiss the Quintet with a brief rebuff because of the audience’s positive reaction; the sense of “danger” surely stemmed from the obvious effectiveness of a work that both critics deemed wildly illogical. Their comments indicate further that what disturbed them was Bruckner’s approach to harmony and his conception of tonality and, moreover, that his offenses had less to do with the construction of individual chords than the ordering of events.
In a striking reversal, several of these critics take a position diametrically opposed to that of critics in his own time. Whereas Brahms’s contemporaries saw his new style from the mid-s on as more accessible than his earlier styles, writers such as Schmidt and Siegfried Kross interpret the late style as surpassingly difficult. As the array of complexities and contradictions I have assembled suggests, the possibility of a late style in Brahms’s music raises questions that go well beyond the inevitable artificiality of such constructs.
Oesterreichs politische Struktur,” in Geschichte der Republik Oesterreich, ed. Heinrich Benedikt (Munich: R. Oldenbourg, ), –; quoted and translated in McGrath, Dionysian Art and Populist Politics, . . “Generational Tension and Cultural Change,” in Thinking with History, –. . Political Radicalism in Late Imperial Vienna: Origins of the Christian Social Movement, – (Chicago: University of Chicago Press, ), . , they regarded as Semitic cultural traits.