Digital Camera World - Complete Photography Guide - by Digital Camera Magazine Editor, Marcus Hawkins

Digital Camera World - Complete Photography Guide - by Digital Camera Magazine Editor, Marcus Hawkins

By Digital Camera Magazine Editor, Marcus Hawkins

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Extra resources for Digital Camera World - Complete Photography Guide - Mastering Composition

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On DlgltojCaiimera 41 Even though the expanse between the girl and the edge of the frame she’s looking out of is saturated with colour, there’s still no mistaking the focal point – the diagonals draw you back there. TEAM LinG - Live, Informative, Non-cost and Genuine ! 42 DlgHglCamera a % Af n * TEAM LinG - Live, Informative, Non-cost and Genuine ! c t ^ ^ ^ v n Cropping for impact W e’ve all been there – taken a pleasing e s shot, only to discover on closer scrutiny later that you’ve snipped off a part of your main subject, or an ugly piece of background’s sneaked in on the edge of the frame.

Three’s the magic number… KEEP IT SIMPLE The strongest compositions are ones that get their message across quickly. Look for the building blocks of a great photograph in lines and shapes. RAISE YOUR ASPIRATIONS Tell yourself that you’re going to take the best photograph you’ve ever taken when you get up in the morning. This can lead to disappointment in the short term – in the long term, you’ll definitely raise your game. PERSONALISE IT Ask yourself what you’re drawn to in a scene – the height of a building, the patterns in a field, the shape of a flower – and bring that element out.

Just try not to treat post-production cropping as a crutch… This is a ‘nice’ picture of an African elephant. Is ‘nice’ good enough? The tip of its left ear has fallen just out the frame and the out of focus bird is a little distracting. TEAM LinG - Live, Informative, Non-cost a n d Genuine ! 44 DlgHjilCannera By cropping in tighter, trimming • equal amounts off each ear and reducing the amount of background, we’ve created a much more powerful image. Elephants are big - this emphasises it. Get in tight Watch out for close ups where parts of the subject are touching the edges of the frame or where there’s only a very thin portion of background separating them – the image will end up feeling cramped.

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