Computer Music Modeling and Retrieval. Genesis of Meaning in by Mitsuko Aramaki, Mireille Besson, Richard Kronland-Martinet,

Computer Music Modeling and Retrieval. Genesis of Meaning in by Mitsuko Aramaki, Mireille Besson, Richard Kronland-Martinet,

By Mitsuko Aramaki, Mireille Besson, Richard Kronland-Martinet, Sølvi Ystad (auth.), Sølvi Ystad, Richard Kronland-Martinet, Kristoffer Jensen (eds.)

This ebook constitutes the completely refereed post-conference lawsuits of the fifth overseas Symposium on laptop track Modeling and Retrieval, CMMR 2008 - Genesis of that means in Sound and track, held in Copenhagen, Denmark, in may perhaps 2008.

The 21 revised complete papers awarded have been especially reviewed and corrected for this court cases quantity. CMMR 2008 seeks to magnify upon the feel of Sounds-concept via considering the musical constitution as an entire. extra accurately, the workshop may have as its subject matter Genesis of which means in Sound and track. the aim is hereby to set up rigorous examine alliances among machine and engineering sciences (information retrieval, programming, acoustics, sign processing) and parts in the humanities (in specific conception, cognition, musicology, philosophy), in addition to to globally deal with the proposal of sound that means and its implications in track, modeling and retrieval.

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Additional info for Computer Music Modeling and Retrieval. Genesis of Meaning in Sound and Music: 5th International Symposium, CMMR 2008 Copenhagen, Denmark, May 19-23, 2008 Revised Papers

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In several respects, it is similar to the Auditory Image Model (AIM) developed by Patterson et al. (1995) as well as to some other temporal approaches (de Cheveign´e 2005). In the present study, the Auditory Modelling System (AMS, Meddis & O’Mard 2003) is used. The analyses for the subharmonic estimation of pitch as well as for the estimations based on the harmonic sieve as implemented in the spatial pitch network model (SPINET; Cohen et al. 38; Boersma & Weenink 2008). Though this software was designed for experimental phonetics, it can handle a broad range of musical sounds.

301–304. Queen Mary, Univ. of London, London (2003) 25. : Cognitive Foundations of musical Pitch. Oxford U. , Oxford (1998) 26. : Die zeitliche Verarbeitung periodischer Signale im H¨ orsystem: Neuronale Repr¨ asentation von Tonh¨ ohe, Klang und Harmonizit¨ at. Zeitschrift f¨ ur Audiologie 46, 8–21 (2007) 27. : Music and Schema theory. Cognitive foundations of systematic musicology. Springer, Berlin (1995) 28. : Spectral processing by the peripheral auditory system: facts and models. Intern. Rev.

Accurate short-term analysis of the fundamental frequency and the harmonics-to-noise-ratio of sampled sound. Proc. of the Inst. of Phonetic Sciences 17, 97–110 (1993) 6. : Praat: doing phonetics by computer. 038 (2008) 7. : Auditory Scene Analysis. In: The perceptual organization of sound. , Cambridge (1990) 42 A. Schneider and K. Frieler 8. : Neural Correlates of the pitch of complex tones. I: Pitch and pitch salience. Journal of Neurophysiology 76, 1698–1716 (1996) 9. : Neural Correlates of the pitch of complex tones.

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