Children of the Stone: The Power of Music in a Hard Land by Sandy Tolan

Children of the Stone: The Power of Music in a Hard Land by Sandy Tolan

By Sandy Tolan

It really is an not likely tale. Ramzi Hussein Aburedwan, a baby from a Palestinian refugee camp, confronts an occupying military, will get an schooling, masters an tool, goals of whatever a lot greater than himself, after which, via his air of mystery and patience, conjures up others to paintings with him to make that dream actual. The dream: a faculty to remodel the lives of hundreds of thousands of children--as Ramzi's existence used to be transformed--through tune. Musicians from around the globe got here to assist. A violist left the London Symphony Orchestra, partly to paintings with Ramzi at his new institution. Daniel Barenboim, the eminent Israeli conductor, invited Ramzi to affix his West japanese Divan Orchestra, which he based with the overdue Palestinian highbrow, Edward stated. in view that then the 2 have performed jointly frequently.

Children of the Stone chronicles Ramzi's journey--from stone thrower to tune scholar to college founder--and indicates how via his love of song he created whatever lasting and gorgeous in a land torn by means of violence and conflict. it is a tale concerning the strength of song, but in addition approximately freedom and clash, decision and imaginative and prescient. It's a brilliant portrait of existence amid checkpoints and army career, a growing to be circulate of nonviolent resistance, the clients of musical collaboration around the Israeli-Palestinian divide, and the opportunity of track to aid little ones in all places see new percentages for his or her lives.

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Extra resources for Children of the Stone: The Power of Music in a Hard Land

Sample text

As I argued earlier, ethnocultural nationalism is one of two categories of nationalist ideologies. Each of these categories of ideologies could have and in fact has had various offshoots that differ widely from one another. Cultural nationalism has had a variety of forms. Inter alia, these include liberal and fascist, socialist and conservative, humanist and antihumanist versions as well as chauvinist and egalitarian, collectivist and individualistic, ethnocentric and non-ethnocentric, state-seeking and nonstate-seeking forms of nationalism.

As already indicated, some of them did in fact think that historical rights justify sovereignty, whereas others were to some degree aware of the fact that historical rights as such could not constitute a basis for demanding territorial sovereignty. However, I am not concerned with the historical question of what actual demands were made by the Zionist standards. In other words, even if one could assume that references by Zionist leaders to a historical right to establish a national home for the Jews within Palestine rather than a Jewish state encompassing Palestine in its entirety were tactically rather than strategically motivated, nonetheless, the very adoption of such a tactic seems to express acknowledgment of the fact that these are the morally appropriate terms.

The response to this argument is, first, that if this contention is true, then a similar contention is also true with regard to ethnocultural nationalism. The latter is commonly accused of ugly and even criminal historical manifestations. However, it could be argued that these historical manifestations of cultural nationalism are not necessary consequences of the implementation of this ideology. Second, it is doubtful whether, given the geodemographic conditions of the world, it could seriously be maintained that the practice of forced assimilation is not a necessary consequence of the ideology of civic nationalism.

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