A Devil on One Shoulder and an Angel on the Other: The Story by Greg Prato

A Devil on One Shoulder and an Angel on the Other: The Story by Greg Prato

By Greg Prato

Essentially the most tragic tales of the 1990’s rock global used to be that of singer Shannon Hoon, and his band, Blind Melon. regardless of scoring one of many decade’s such a lot enduring singles and video clips, “No Rain,”and a quadruple platinum hit with their 1992 self-titled debut album (in addition to traveling along rock’s largest names), Hoon couldn't triumph over a deadly drug dependancy. in simple terms documents right into a promising profession, Hoon was once useless from an overdose on the age of 28. ‘A satan on One Shoulder and an Angel at the Other’ is the 1st ebook to inform the group’s story—culled from over 50 specific interviews (including the surviving band participants and people closest to the band) and that includes many never-before-seen pictures. “I am venerated that Greg has painstakingly accounted for what the hell occurred in the course of these loopy occasions. He has summed up the entire chaos, jubilation, and paranoia that's Blind Melon.” -Brad Smith, Blind Melon bassist

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Extra resources for A Devil on One Shoulder and an Angel on the Other: The Story of Shannon Hoon and Blind Melon

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For instance, I got a call from one of the Chicago only just getting started. I’ve been on board for about 15 months now. F O U N D A T I O N public radio stations saying they want to digitize all of I’m still in the set up phase, trying to BY LARRY CRANE Studsthat Terkel’s interviews. We’re in p ro gr es s It’s not. It’s independent. It’s a 501c3, which is a charity. They did it for quite a few reasons, one of which was pretty clever: they themselves could apply for grants from us, the Smithsonian, or any other institutional branch.

Do you have song concepts in mind when you pick samples like that? to the hardware, and now I’m back in the computer. part to loop. To sit there and listen to a four-minute When I first made the transition back to computers, I song, pick out one bar or two bars, and realize that started with Pro Tools. I’ve used Pro Tools for audio those two bars can be the basis of a whole new song. since the ‘90s, and it was cool. But, whereas Pro Tools There is genius in that. Or, in the case of what I do, was an audio editing program that they adapted for sometimes I’ll take a four-minute song and find 20 or MIDI, Logic was production software that 30 different parts in that song and create a whole new incorporated audio into it.

I recently went up to his Rebel Base studio within Stadiumred in Harlem to discuss hip hop beats, videogame soundtracks, live DJ’ing, and his New Jersey-bred connection to dance music. How did you get started? I’ll give it to you like this: I DJ’d my own first birthday party. My mother has pictures of me running around with records in my hand. Music has always been there. Between my mother being a singer and my father being a jazz organist, I guess the earliest exposure was watching him play. I always thought if they caught me playing that I’d get in trouble, because it was my father’s organ or piano.

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